When I wrote the first few pieces, I had no idea at all that I would be shaping any of them. Then one poem – which I was rearranging on the page, just to see how the lines could be best presented – began to form a very clear shape. This was the poem called Carvings, which happens to be about the mind working on things over time, quite unconsciously: forming, fashioning, sculpting, putting them away, hiding them from sight – and later rediscovering them. It seemed very appropriate that there was such a carved shape coming to light in the piece itself.
Having watched the first section fall into place, I wondered whether it would be possible to do this throughout the whole piece – and so began the climbing of Everest… I tried it on another piece, and another, and before long I just knew I wanted to find a way to shape them all. My task seemed to be to discover and reveal their natural form, rather than impose a shape on them, and in time it became easier to trust that the shapes were there all along. I was enjoying the process; it was exciting – a challenge, an adventure.
I discovered an unexpected richness and multi-layered symbolism in the shapes. I realised that the substance of the poetry is inherent both in the shapes and in the words, and that there is an essential coherence between them. They are inseparable; they spring from the same place. As I worked on each one, watching a new and unique form evolve in front of my eyes was very satisfying. This reminds me of the wonder of working with art in therapy sessions, where I am frequently amazed by the depth of wisdom, and richness of meaning, that can be expressed through a visual medium.
Presents of Mind is available from the author or from this link: https://www.etsy.com/uk/listing/625378395/presents-of-mind-unique-shaped-poetry